We know from the writings of the ancient Greek Iliad, the Bible, and the Koran that human perception of color has evolved. The language used to describe the color of things like the sea or the sky, once compared to other commonplace objects, has changed. Until recently, our understanding of science held that the evolutionary process was due to genetic inheritance. However, the idea has been put forward that the linguistic perception of color is generated by non-genetic forces associated with evolutionary development within a holographic universe.
The recent creation of time crystals by researchers at the American University has shown that our scientific, spiritual, and political understanding of evolving reality is a primitive illusion. The operation of time crystals has shown that our concept of science that is governed by a supreme law that demands our extinction is incorrect. The evolutionary process associated with a non-genetic linguistic color perception process therefore deserves investigation.
Our science and our social customs are governed by a cancerous dysfunctional information system discovered by epidemiologists. It is a worldwide epidemic in 3D transmitted by today’s information and communication devices. In 2016, the World Endowment for the Arts in Russia discovered and recognized a linguistic color perception antidote to this global epidemic. In 2017, this Russian art and science organization set out to establish a research program to investigate the role that artistic-linguistic color perception will play in futuristic technologies. In 2017, American University researchers created time crystals that embraced the reality of the antidote. They declared their intention to apply their new knowledge to advance existing artificial quantum information technology. As such technology is an integral aspect of the epidemic, this would be a serious mistake. If the Russian program follows the same logic and merges the antidote information with the infected artificial intelligence, the 3D global epidemic will interact with the holographic evolutionary process in ways that we do not understand.
It is common knowledge that there is the use of artistic linguistic color techniques to control the human mind for dysfunctional intentions, for example North Korea is now cause for concern because of this. To a seemingly minor degree, we are being ruled by a continuous barrage of non-stop commercial television mind control. To make a positive contribution to this situation, the quantum biological antidote necessary to develop healthy evolutionary technology must be made visible to the general public as soon as possible.
The philosopher Plato argued that the appreciation of aesthetic art was unethical and required ethical spiritual wisdom through art to prevent the destructive property of unformed matter from emerging from within the physical atom to destroy civilization. Later, in modern times, the philosopher Immanuel Kant, in agreement with Plato, wrote that an asymmetric electromagnetic field was evolving within the creative and artistic mind as the spiritual wisdom that Plato sought. Plato’s concept was that the physical world was an illusion, which is in accordance with the idea that a holographic universe is an illusion of evolving reality.
We know that within a holographic universe, artistic illusions can provoke neurological emotions open to manipulation by unethical dictatorial regimes. However, the antidote technology uses an alternative to the artistic rhetoric of ‘Color over the mind’ accompanied by artistic sound and color to create a dysfunctional mindset. Within the holographic reality, ‘Mind over Color’ uses the concept of physics that is equal and opposite to unethical illusions.
Today’s artists are subconsciously painting stereoscopic images in their paintings. The artist Salvador Dalí was convinced that this phenomenon existed for ethical reasons. His eccentric Freudian language along with scientists who advocate science, politics and social morality to free themselves from their dilemma embraced the more ethical future of Immanuel Kant. In 2002 stereoscopic asymmetric electromagnetic glasses were patented. When used to view works of art from this century, Dalí’s conviction that the paintings contained an invisible stereoscopic message became fact.
Currently there are paintings that represent a stereoscopic multidimensional holographic image that echoes the descriptive text of the painting. This linguistic perception of color goes far beyond the scope of the mechanistic description of the chromostereopsis concept of yesteryear, in which a visual illusion of depth is conveyed in two-dimensional color images. However, in today’s work of art, many planes of stereoscopic images are fused together to produce movement, which within a holographic reality are recognized by engineers as forces of spiritual torsion. These are the torsional forces that belong to Shawls Proteus Steinmetz’s asymmetric electromagnetic spirit technology. He wrote telling the world that such spiritual technology would be far superior to the mechanistic asymmetric global electromagnetic technology that he helped achieve as a leading figure in America’s electrification. Without the new spiritual mindset, the civilization ruled by the three-dimensional epidemic of dysfunctional information will result in nuclear war.
Authorization for this article is from a 1979 Australian National Television documentary entitled The Scientists – Profiles of Discovery. A detailed explanation of these discoveries can be found in the article, The Optical Nature of Artistic Genius, (April 2017) by Chris Degenhardt, published at academia.edu.
